One of the most traditional artisan skills that goes back several thousand years is the creation of blown glass. A primal material that was used to great decorative effect by the Romans, it has a long and proud history in Italy. And within Italy, it finds its most creative expression amongst the many workshops, both large and small on the island of Murano, Venice. Originally there were glassmakers in Venice throughout the city, but in 1291 it was decided to move them across to Murano for fear of fire hazards from the furnaces. The great esteem in which the glassmakers were held was demonstrated by the fact that they were immune from prosecution by the Venetian authorities. Many of the last centuries manufacturers are still in existence including Salviati, Barovier & Toso, & Venini. Many manufacturers specialized in particular design and techniques including antique revival styles, use of gold (aventurine) and artistic creations. The range of designs and quality levels vary tremendously from cheap lampwork animals through to one-off vessels by some pre-eminent designers. The artistic directors of Venini in particular in the 20th century reads like a Who’s Who of modern design – Carlo Scarpa, Fulvio Bianconi, Gio Ponti and many more. Under Paolo Venini’s direction, the glass sculptures, vessels, lighting and even utility ware transcended mere objects born of heat and silica and became truly artistic works in their own right. Creating new techniques such as Battuto, Pezzato and Fasce meant that Venini was at the forefront of innovation and served to keep an ancient art entirely modern and relevant. The very best work from this period was never cheap in the first place and has more than held its value – and is frequently sold in excess of six figures in auction. Even now, the legacy of the Murano tradition is still alive and there are still a number of people who are producing exceptional work, and important designers and architects are still queuing up to design for the best ateliers
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